Sonoscopic Morphologies
Slowness, listening, silence, and disassembly as forms of microscopy are understood as modes of close, reciprocal attention that lay the methodological foundation of the series. In each work, method and subject of investigation, process and result are inseparable. The works emerge from an ongoing experimental artistic research process investigating microscopy as a method.
Slow Microscopy
Audio-visual installation, 2025
3-Channel audio, exciters activating 3 suspended UV-direct prints of microscopies on aluminium-dibond
3 m x 1 m x 0.5 m
Created based on artistic research during the Artists in Labs Residency at ETHZ/PSI - Mesoscopic Systems Laboratory
Exhibited at
2025
ZAR – Graduation Show, Kunstraum, Zurich University of the Arts, Zürich
Resonant Ecologies – Murmurcontemporary & Swiss Society for Acoustic Ecology, Montreux
Cross Section
Audio-visual installation, 2025
1-channel audio (13 min), aluminum sheet metal with exciter (1 m x 1 m x 0.1 m), video-projection, 1 m x 1 m
Metallographic cross section (aluminum sample embedded in Polymer) 4 cm x 1.5 cm
Created based on artistic research during the Artists in Labs Residency at ETHZ/PSI - Mesoscopic Systems Laboratory and with support of the Zurich University of Applied Sciences - Laboratory for Metallic Materials
Exhibited at
2025
Lange Nacht – Klänge Strukturen Situationen, Zurich University of the Arts, Zurich
ZAR – Graduation Show, Kunstraum, Zurich University of the Arts, Zurich
The Glossary
Glossary, 2025
Text, image, sound, material
Digital prints on A5 paper
Exhibited at
2025
ZAR – Graduation Show, Kunstraum, Zurich University of the Arts, Zurich